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Porous realities, open scenography

A study of the Lebanese exhibition at PQ 2019

Bibliographic Data

ID22112494
AuthorsHadi Damien (0000-0001-5789-6117, Saint Joseph University, corresponding author)
Year2020
Volume6
Issue1-2
Pages48-57
Publication date2020-05-15
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre & Performance Design (JOURNAL)
Journal identifiersISSN: 2332-2551 • E-ISSN: 2332-2578
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/23322551.2020.1785230
OpenAlexW3088829651
LanguageEN
References cited1

This article proceeds from our understanding that scenography is the environment in which performance unfolds. It presents a reflection on what forces shaped the design of the exhibition we displayed. The article further examines the political realities of Lebanon and their socio-economic consequences that shaped this exhibition, where actions and whereabouts are publicly shared in cyberspace – the modern, accessible and still unrestricted common space. The exhibition of Lebanon at PQ 2019 was a reflection on an audience trend we identified while attending performances. It displayed a landscape of raised hands, holding mobile phones and showing images of performances. The mobile phones examined the decreased reality – the effect of seeing a performance on a phone – and posited a few questions, helping those viewing the exhibition to contextualize it, and inviting them to think about this practice. The wall-less exhibition also offered attendees the possibility of sharing their photos of performances they attended during PQ 2019, and including them in the Lebanese exhibition, further marking the (lack of) tension between the local and the global – the local being the performances staged in Lebanon, and the global being the pictures that depicted performances from all over the world during PQ 2019

Aesthetics · Art · Cyberspace · Exhibition · Political science · Politics · Scenography · Sociology · The Internet · Visual arts · World Wide Web · Computer Science · Law · Middle East Politics and Society · Public Spaces through Art

  • Ministry of Culture or No Ministry of Culture

    Nadia von Maltzahn•Comparative Studies of South Asia…•2018

Citation velocityhistorical
Highly citedNo

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