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Two Textiles with Interlace Designs from Byzantine Egypt and Their Interpretation in the Light of Floor Mosaics

Bibliographic Data

ID22113183
AuthorsHenry Maguire (corresponding author)
Year2024
Volume11
Issue1
Pages26-39
Publication date2024-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueConvivium (JOURNAL)
Journal identifiersISSN: 2336-3452 • E-ISSN: 2336-808X
PublisherBrepols Publishers NV (PUBLISHER)
DOI10.1484/j.convi.5.142555
OpenAlexW4400831512
LanguageEN

Two tapestry medallions from Byzantine Egypt decorated with interlaces are examined here with a view to teasing out the meanings they conveyed to the persons who saw and used them. Originally adorning domestic apparel or furnishings, the textiles now are held in the collections of the Textile Museum in Washington, D.C. and of the Louvre Museum in Paris. The interlaces served either as protective devices meant to obstruct and bind evil spirits through the coils of their knots, or as metaphors for the entanglements of the devil that had to be overcome to attain a good end. Floor mosaics in Cyprus, North Africa, and Jordan – especially those depicting labyrinths, in which the ideas that underlie the designs are more clearly expressed through inscriptions – provide a route to understanding the interlaces depicted in the textiles

Art · Byzantine architecture · Interlacing · Linguistics · Visual arts · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Classics · Computer Science · Philosophy · Artificial Intelligence

Citation velocityhistorical
Highly citedNo

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