Two Textiles with Interlace Designs from Byzantine Egypt and Their Interpretation in the Light of Floor Mosaics
Bibliographic Data
| ID | 22113183 |
|---|---|
| Authors | Henry Maguire (corresponding author) |
| Year | 2024 |
| Volume | 11 |
| Issue | 1 |
| Pages | 26-39 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Convivium (JOURNAL) |
| Journal identifiers | ISSN: 2336-3452 • E-ISSN: 2336-808X |
| Publisher | Brepols Publishers NV (PUBLISHER) |
| DOI | 10.1484/j.convi.5.142555 |
| OpenAlex | W4400831512 |
| Language | EN |
Two tapestry medallions from Byzantine Egypt decorated with interlaces are examined here with a view to teasing out the meanings they conveyed to the persons who saw and used them. Originally adorning domestic apparel or furnishings, the textiles now are held in the collections of the Textile Museum in Washington, D.C. and of the Louvre Museum in Paris. The interlaces served either as protective devices meant to obstruct and bind evil spirits through the coils of their knots, or as metaphors for the entanglements of the devil that had to be overcome to attain a good end. Floor mosaics in Cyprus, North Africa, and Jordan – especially those depicting labyrinths, in which the ideas that underlie the designs are more clearly expressed through inscriptions – provide a route to understanding the interlaces depicted in the textiles
Art · Byzantine architecture · Interlacing · Linguistics · Visual arts · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Classics · Computer Science · Philosophy · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |