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A Lack of a Name, of Artistic Value, and of a Positive Perception

Overlooking Amateur Artists in Scholarly Research

Bibliographic Data

ID22126100
AuthorsWendy Wiertz (0000-0002-3286-9785, corresponding author)
Year2020
Volume5
Issue1
Pages111-129
Publication date2020-03-01
Open AccessNo
TypeARTICLE
VenueHistory of Humanities (JOURNAL)
Journal identifiersISSN: 2379-3163 • E-ISSN: 2379-3171
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/707694
OpenAlexW3033254531
LanguageEN
Citations received4
References cited12

For a long time, amateur artists were not regarded as a serious subject in art-historical research. Commonly cited reasons for this late interest were their relatively obscure names or even total anonymity, the low expectations regarding the artistic quality of their work and the negative perception of these nonprofessional artists. Yet the late interest in amateur artists is striking considering the wealth of nonacademic literature on the amateur as a figure: from how-to manuals, journalism, biographies, diaries, letters, and other archival materials. Through an analysis of the historiography of amateur artists I study how societal changes influenced the evolution of research on amateur artists. Aristocratic amateur artists in Belgium during the nineteenth and early twentieth centuries serve as a case study

Aesthetics · Amateur · Archaeology · Art · Comparative historical research · Historiography · Journalism · Library science · Literature · Media studies · Newspaper · Perception · Social science · Sociology · Visual arts · Art History and Market Analysis · Cultural History and Identity Formation · Data Analysis and Archiving · History · Psychology

  • Una historia de la fotografía desde las prácticas amateurs

    Open Access•Núria F Rius•Fotocinema Revista científica de…•2024

  • Du manuel de dessin à l'académie. La formation des artistes amatrices de la noblesse à Bruxelles au 19e siècle

    Open Access•Wendy Wiertz, Céline Ponsard•Brussels Studies•2021

  • From drawing manual to academy. The training of Brussels 19th-century female amateur artists pertaining to the nobility

    Open Access•Wendy Wiertz, Philippe Bruel•Brussels Studies•2021

  • Van tekenhandleiding tot academie. De opleiding van adellijke amateurkunstenaressen in Brussel in de 19e eeuw

    Open Access•Wendy Wiertz•Brussels Studies•2021

  • Old Mistresses

    Griselda Pollock, Rozsika Parker•Old Mistresses•1991

  • Die Frauen in der Kunstgeschichte

    Ernst Guhl•Die Frauen in der Kunstgeschichte•1858

  • The Rise of Professionalism

    Magali Sarfatti Larson•Rise of Professionalism•2023

  • Gender

    Joan W Scott•The American Historical Review•1986

  • Vision and Difference

    Karen-Edis Barzman, G Pollock et al.•Woman s Art Journal•1991

  • Women Artists in History

    Janis Bell, Janis C Bell et al.•Woman s Art Journal•1986

  • The Camera as Historian

    Open Access•Elizabeth Haines•Journal of Historical Geography•2015

  • The Obstacle Race

    Naomi Boretz, G Greer•Leonardo•1981

Citations per year0.8
Citation span2021 - 2024 (4)
Highly citedNo

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