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Mid-Century Modern Design as a Cinematic Vision of Dystopia Based on Selected Examples of the 21st-Century Films and TV Series

Bibliographic Data

ID22128235
AuthorsAnna Wiśnicka (0000-0002-6821-529X, University of Warsaw, corresponding author)
Year2023
Issue10
Pages469-488
Publication date2023-12-31
Open AccessYes
TypeARTICLE
VenueZałącznik Kulturoznawczy (JOURNAL)
Journal identifiersISSN: 2392-2338 • E-ISSN: 2451-4233
PublisherCardinal Stefan Wyszynski University in Warsaw (PUBLISHER • PL)
DOI10.21697/zk.2023.10.22
OpenAlexW4392701115
LanguageEN
References cited5

The text aims to investigate various uses of the mid-century modern period pieces in the production design of films and TV series developed after the year 2000 and presenting various visions of a dystopic future. The choice of time frame for the analysis was motivated by the desire to showcase the connotations between the mid-century modern and 21st-century visions of the future which can be broadly described as retrofuturistic. On account of its primary focus on progressive ideas, new materials and forms, mid-century modern has always been broadly associated with the design of the future. The author discusses various takes on set design to highlight a wide spectrum of narrations regarding the future and its cultural dimension in selected productions incorporating iconic mid-century design pieces and, more importantly, the non-verbal message they carry

Art · Computer vision · Dystopia · Art, Politics, and Modernism · Computer Science · Artificial Intelligence · Geology

Highly citedNo

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