Mid-Century Modern Design as a Cinematic Vision of Dystopia Based on Selected Examples of the 21st-Century Films and TV Series
Bibliographic Data
| ID | 22128235 |
|---|---|
| Authors | Anna Wiśnicka (0000-0002-6821-529X, University of Warsaw, corresponding author) |
| Year | 2023 |
| Issue | 10 |
| Pages | 469-488 |
| Publication date | 2023-12-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Załącznik Kulturoznawczy (JOURNAL) |
| Journal identifiers | ISSN: 2392-2338 • E-ISSN: 2451-4233 |
| Publisher | Cardinal Stefan Wyszynski University in Warsaw (PUBLISHER • PL) |
| DOI | 10.21697/zk.2023.10.22 |
| OpenAlex | W4392701115 |
| Language | EN |
| References cited | 5 |
The text aims to investigate various uses of the mid-century modern period pieces in the production design of films and TV series developed after the year 2000 and presenting various visions of a dystopic future. The choice of time frame for the analysis was motivated by the desire to showcase the connotations between the mid-century modern and 21st-century visions of the future which can be broadly described as retrofuturistic. On account of its primary focus on progressive ideas, new materials and forms, mid-century modern has always been broadly associated with the design of the future. The author discusses various takes on set design to highlight a wide spectrum of narrations regarding the future and its cultural dimension in selected productions incorporating iconic mid-century design pieces and, more importantly, the non-verbal message they carry
Art · Computer vision · Dystopia · Art, Politics, and Modernism · Computer Science · Artificial Intelligence · Geology
| Highly cited | No |
|---|