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Shahid Nadeem’s Play Dara and the Distortion of the History

Bibliographic Data

ID22128581
AuthorsMubashar Altaf (Namal College), Rafia Tassawar (University of Sargodha), Munnazza Abbas Malik, Farwa Tehseen (Beaconhouse National University)
Year2020
Volume6
Issue2
Pages38-62
Publication date2020-04-21
Open AccessYes
TypeARTICLE
VenueInternational Journal online of Humanities (JOURNAL)
Journal identifiersISSN: 2395-5155 • E-ISSN: 2395-5155
PublisherSmart Moves (PUBLISHER)
DOI10.24113/ijohmn.v6i2.173
OpenAlexW3033902617
LanguageEN
Citations received1
References cited2

The present research paper explores the text of the play Dara written by Shahid Nadeem from the power-knowledge nexus perspective. The researcher finds that the play depicts that history represented by the ruling class is fabricated, which presents historical heroes as villains and villains as heroes. The researcher analyzes Shahid Nadeem’s play Dara to see how the historical character of Aurangzeb Alamgir is represented in the play. It is a commonplace to look at the emperor Aurangzeb Alamgir as a devoted Muslim who indulges his time to serve Islam. However, the researcher finds that the play questions this representation of Aurangzeb Alamgir in the history books and redefines him as a fanatic and extremist who use religion to take revenge on his brother and who shook the very spirit of Islam. The researcher uses Michael Foucault's concept of history, power, and knowledge. History is not linear, history is not what is told through textbooks and media; history is buried and there is a need to dig the buried truth. The findings of this research show that Shahid Nadeem presents two ideologies by his play, the Sufi image of Islam and the fundamentalist image of Islam. He brings the forgotten hero on the stage of the theatre. Nadeem questions and exposed the nexus of power and knowledge

Ancient history · Art · Brother · Emperor · HERO · Islam · Literature · Political science · Shahid · Sociology · Theology · Education and Islamic Studies · History · Islamic Studies and History · Law · Literary Theory and Cultural Hermeneutics · Philosophy

  • A Metatheatrical Study of Shahid Nadeem’s Play Dara through Historical Distancing

    Open Access•Farrukh Hameed•PAKISTAN LANGUAGES AND HUMANITIES…•2022

  • Discipline and Punish

    Michel Foucault, Simon Prebble•Surveiller et punir•2019

  • Archaeology of Knowledge

    Michel Foucault•Archaeology of Knowledge•2013

Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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