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Migrating Towards Growth and Oblivion? A Contextual Account of the Lives and Work of Spanish-Mexican Composers María Teresa Prieto and Emiliana de Zubeldía

Bibliographic Data

ID22129836
AuthorsClaudia Chibici-Revneanu (0000-0003-0822-1169, Escuela Nacional de Sanidad, corresponding author), Claudia Christina Chibici-Revneanu
Year2020
Volume6
Pages1-34
Publication date2020-06-08
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Interdisciplinaria de Estudios de Género de El Colegio de México (JOURNAL)
Journal identifiersISSN: 2395-9185 • E-ISSN: 2395-9185
PublisherEl Colegio de Mexico, A.C. (PUBLISHER)
DOI10.24201/reg.v6i0.543
OpenAlexW3034244097
LanguageEN
References cited11

Drawing from an interdisciplinary methodology which brings together feminist musicology, gender, and migration, as well as cultural studies, this article focuses on the lives and works of 20th-century Spanish-Mexican composers María Teresa Prieto and Emiliana de Zubeldía. It aims to analyze their biographies within the context of the frequent under-representation of women in discussions about migration and music. It will show how geographical displacement enhanced their creative development and careers by allowing them to develop broad networks, giving them enriched processes of cultural transfer, involving them in rival national/regional identity claims, and liberating them from restrictive (musical) gender norms. Nevertheless, their contextual advantages proved insufficient in the face of more powerful gender-discriminatory structures within the musical sphere, which have typically truncated musical women’s journeys by oblivion

Aesthetics · Art · Musical · Political science · Psychoanalysis · Social science · Sociology · Visual arts · Anthropology · Gender Studies · History · Law · Music History and Culture · Psychology · Spanish History and Politics · Spanish Literature and Culture Studies

  • Clara Schumann

    Open Access•Berthold Litzmann, W H Hadow et al.•Clara Schumann : Volume 1•2013

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    Frith, Simon Frith•Cuestiones de identidad cultural•2011

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    Esperanza Pulido•Latin American Music Review•1983

Citation velocityhistorical
Highly citedNo

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