Hans Christian Andersen as a Danish Cultural Icon

Bibliographic Data

ID22131990
AuthorsAnne Klara Bom (0000-0003-0804-0210, University of Southern Denmark, corresponding author)
Year2025
Volume10
Issue2
Pages173-192
Publication date2025-06-18
Open AccessNo
TypeARTICLE
VenueJournal of World Literature (JOURNAL)
Journal identifiersISSN: 2405-6472 • E-ISSN: 2405-6480
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/24056480-01002002
OpenAlexW4411393925
LanguageEN
References cited9

This article investigates the status and function of Hans Christian Andersen as a cultural icon in Denmark through the lens of critical heritage studies. It examines how Andersen’s biography and works are utilized to reflect and perpetuate contemporary values and ideological beliefs in Denmark. By analyzing Andersen’s role as a national icon in political and educational contexts, as well as in children’s biographies, the study illustrates how his life story and fairy tales are used to convey notions of a shared national past and identity. I argue that Andersen’s iconic status is rooted in a temporal paradox: while he is anchored in a specific historical context, his cultural significance allows him to transcend temporal boundaries. This duality underscores the dynamic interplay between heritage, national identity, and the ongoing relevance of Andersen’s legacy

Aesthetics · Archaeology · Art · Art history · Biography · Cultural heritage · Danish · Epistemology · Icon · Ideology · Linguistics · Literature · Narrative · National identity · Political science · Politics · Sociology · Anthropology · Educator Training and Historical Pedagogy · Folklore, Mythology, and Literature Studies · History · Law · Philosophy · Themes in Literature Analysis

Tools

Open DOIOpen Access