When Literary Relations End
Bibliographic Data
| ID | 22132014 |
|---|---|
| Authors | Jing Tsu (Yale University, corresponding author) |
| Year | 2020 |
| Volume | 5 |
| Issue | 2 |
| Pages | 278-297 |
| Publication date | 2020-05-29 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of World Literature (JOURNAL) |
| Journal identifiers | ISSN: 2405-6472 • E-ISSN: 2405-6480 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/24056480-00502003 |
| OpenAlex | W3031111021 |
| Language | EN |
| References cited | 4 |
Of the existing approaches to engaging with world literature, Pascale Casanova’s contribution remains the most prescient and relevant to the contemporary world. In this paper, I examine Casanova’s legacy in the context of contemporary Chinese literature – not only as the Sinophone, Chinese, or diasporic, but also in terms of the diverse genrification and creation of new types of media for literary inscription that border on obliterating the primacy of literary aesthetics. Is this a threat to the literary establishment, as it has been practiced, critiqued, and known in the European lineage? I argue that the literary space has never been in starker contrast with the world space, and that the emergence of a different “world normal” is challenging and fortifying Casanova’s legacy in deeply profound ways. To be examined, among others, are recent debates over world and Sinophone literature, science fiction, internet fiction, and diasporic writings
Aesthetics · Archaeology · Art · Linguistics · Literature · Sociology · Asian Culture and Media Studies · History · Japanese History and Culture · Philippine History and Culture · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |