Colette Gaveau-Małcużyńska – portret pianistki
Bibliographic Data
| ID | 22147204 |
|---|---|
| Authors | Muzeum Fryderyka Chopina w Warszawie Narodowy Instytut Fryderyka Chopina (Fryderyk Chopin Institute, corresponding author), Michał Ceglarek (0000-0003-4354-131X) |
| Year | 2023 |
| Issue | 1(14) |
| Pages | 73-92 |
| Publication date | 2023-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Czasopismo Naukowe Instytutu Studiów Kobiecych (JOURNAL) |
| Journal identifiers | ISSN: 2451-3539 • E-ISSN: 2543-7011 |
| Publisher | University of Bialystok (PUBLISHER • PL) |
| DOI | 10.15290/cnisk.2023.01.14.04 |
| OpenAlex | W4384914212 |
| Language | EN |
| References cited | 2 |
The article is an attempt to sketch a portrait of the talented French pianist Colette Gaveau (1913–1987), winner of the first prize of the Paris Conservatory in 1932, participant in several international music competitions, including the 3rd Piano Competition Frederic Chopin in Warsaw in 1937 and the Eugène Ysaÿe, which took place in Brussels in 1938. A breakthrough event in the life of young Colette Gaveau was the marriage with the Polish pianist Witold Małcużyński (1914–1977) in October 1939. Due to the warfare of World War II, Gaveau-Małcużyńska left France with her husband, first to Portugal and then to Argentina. The Małcużyński family did not return to Europe until 1945. Colette Gaveau-Małcużyńska was a faithful and patient companion in the life and successes of one of the most outstanding Polish pianists of the second half of the 20th century
Art · Art history · Humanities · Piano · Portrait · Sketch · History · Polish Historical and Cultural Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |