Representation of the plot of the novel "Iwein, or the Knight with the Lion" in Western European iconographic programs of the XIII-XIV centuries
Bibliographic Data
| ID | 22148965 |
|---|---|
| Authors | Elena A Khripkova (0000-0002-8101-680X, corresponding author), Elena Khripkova |
| Year | 2022 |
| Issue | 4 |
| Pages | 13-32 |
| Publication date | 2022-04-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Культура и искусство (JOURNAL) |
| Journal identifiers | ISSN: 2454-0625 • E-ISSN: 2454-0625 |
| Publisher | Aurora Group, s.r.o (PUBLISHER) |
| DOI | 10.7256/2454-0625.2022.4.37895 |
| OpenAlex | W4224300153 |
| Language | EN |
| References cited | 3 |
The object of this study is the representation of the plot of the knight's novel "Iwein or the Knight with the Lion" in Western European art of the XIII-XIV centuries. The subject of the study is the features of the visual language of secular medieval art, which manifested themselves in various visual representations of this plot. The purpose of this work was to identify similarities and differences in the structure of various iconographic programs created on the basis of this novel in the period under review, to analyze the dependence of the visual interpretation of the text on the functional purpose of the monument (illuminated manuscripts and monumental murals), as well as to compare the existing visual representations of the history of Yvaine with the structure of the literary plot itself. The main research methods in this work are the methods of iconographic and iconological analysis, involving the identification of relationships between the images of the iconographic program of monuments and literary subjects on which these programs are based. The novelty of the work consists in identifying the structural features of the iconographic programs of the monuments under consideration, their similarities and differences from the programs of the religious content of the era under consideration, which is important for understanding the overall picture of the development of the visual language of Western medieval art of the XIII-XIV centuries. As a result of the conducted research, it is concluded that the considered secular programs are significantly inferior in their structural complexity to programs of a religious nature, most of them represent a visual interpretation of the plot intended to demonstrate and glorify the traditional lifestyle of the knightly estate and entertainment, and only one of the considered iconographic programs of this period has a complicated structure closest to the basic one It can be considered, as well as the text of the poems of Chretien de Troyes and Hartmann von Aue, in the context of understanding its religious basis
Art · Art history · Knight · Library science · Linguistics · Novelty · Theology · Visual arts · Computer Science · Historical and Archaeological Studies · History · Law · Mathematics · Philosophy · Artificial Intelligence
| Highly cited | No |
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