Traditional Chinese Ink Painting in the Digital Age
Innovative integration methods and multidisciplinary application scenarios
Bibliographic Data
| ID | 22149010 |
|---|---|
| Authors | Bao Liu (0000-0003-2329-9829, corresponding author) |
| Year | 2025 |
| Issue | 6 |
| Pages | 81-98 |
| Publication date | 2025-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Культура и искусство (JOURNAL) |
| Journal identifiers | ISSN: 2454-0625 • E-ISSN: 2454-0625 |
| Publisher | Aurora Group, s.r.o (PUBLISHER) |
| DOI | 10.7256/2454-0625.2025.6.74888 |
| OpenAlex | W4411575249 |
| Language | EN |
| References cited | 1 |
The subject of this study is the process of integrating the aesthetic principles of traditional Chinese ink painting and the functionality of modern digital technologies (VR, AR, MR). The purpose of the work is to systematically analyze the effects of this merger, manifested in the diversification of artistic forms, deepening interactive interaction with the viewer, as well as in the formation of new approaches to the preservation and transmission of cultural heritage. The methodological basis of this study was built on an interdisciplinary approach, which allowed us to obtain a comprehensive and multifaceted understanding of the problem under study. The author deliberately combined a theoretical analysis of specialized literature with a practical study of specific cases of implemented projects. In addition, for the empirical validation of the findings, an analysis of viewer perception was conducted using surveys and structured interviews. As a result, it was found that the integration of digital technologies contributes to a fundamental change in the perception of ink painting: from passive observation to dynamic, interactive participation. In particular, motion capture technologies give the audience the opportunity to act as co-creators of digital art. A study of practical cases, including the immersive exhibition "A Thousand Li Rivers and Mountains". The scientific novelty of the study lies in the comprehensive analysis of the methods of digital transformation of the fundamental aesthetic and philosophical principles of ink painting. The prospects of the concept of the "metaverse of ink painting" as a platform for intercultural communication are substantiated. The study shows that the combination of traditional ink painting with digital technologies really opens up new possibilities. Thus, further research in this area should be aimed at developing methodological approaches that minimize technological risks
Art · Chinese painting · Inkwell · Multidisciplinary approach · Painting · Social science · Sociology · Visual arts · Computer Science · Digital Media and Visual Art
| Citation velocity | historical |
|---|---|
| Highly cited | No |