Persistent Pursuit for ‘Self’
A Study of Shashi Deshpande’s In Roots and Shadows and Kamala Markandaya Nectar in A Sieve
Bibliographic Data
| ID | 22152807 |
|---|---|
| Authors | Shivani Sharma (0000-0001-6652-2651, University of Rajasthan, corresponding author) |
| Year | 2022 |
| Volume | 7 |
| Issue | 4 |
| Pages | 156-158 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of English Literature and Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 2456-7620 • E-ISSN: 2456-7620 |
| Publisher | AI Publications (PUBLISHER) |
| DOI | 10.22161/ijels.74.23 |
| OpenAlex | W4290608046 |
| Language | EN |
| References cited | 1 |
The present paper is an attempt to discuss the postcolonial women writers of India like Shashi Deshpande and Kamala Markandaya belonging to two different decades and significantly projecting the quest of ‘self’ by their women characters in terms of pre-set social institution. This perennial expedition of women for their identity in the male-chauvinistic society is not restrained to India, but traverses across the world. The unending struggle of women to opt between the idealised womanhood by the society and the ‘self’ has been astoundingly dealt by Despande in Roots and Shadows and Markandaya in Nectar in A Sieve. The discussion is majorly concentrated on the role of the idealised womanhood as a barrier in the quest of identity and surpassing the hurdle to achieve one
Aesthetics · Art · Biology · Nectar · Sociology · Gender Studies · Indian History and Philosophy · Mathematics · South Asian Cinema and Culture · South Asian Studies and Diaspora · Ecology
| Citation velocity | historical |
|---|---|
| Highly cited | No |