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‘Othering Each Other’ in Shakespeare’s The Tempest

Bibliographic Data

ID22152835
AuthorsSheikh Saifullah Ahmed (0000-0003-1020-1351, International University of Business Agriculture and Technology, corresponding author)
Year2020
Volume5
Issue3
Pages643-648
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of English Literature and Social Sciences (JOURNAL)
Journal identifiersISSN: 2456-7620 • E-ISSN: 2456-7620
PublisherAI Publications (PUBLISHER)
DOI10.22161/ijels.53.11
OpenAlexW3033928759
LanguageEN
References cited1

This study includes Postcolonialism in Shakespeare's The Tempest. It aims at examining Bhabha's notions of ambivalence and hybridity that he estimates as to be great forms of resistance against the colonial agency. Ambivalence generates a controversial position and viewpoint both for Caliban and Prospero in the play. Caliban is a colonized other and unable to replicate himself accurately to the European colonizers. It inflames Caliban to be 'turbulent for liberty' that results in his resistance and insurgency against Prospero and the colonial authority. It confirms his hybrid nature that terrorizes Prospero to lose his exclusive authority on the island and challenges the 'monolithic power' of the invaders. Ariel is a subservient spirit unlike Caliban, though his craving for liberty brands him turbulent too. The paper explores the ambiguities of portraying the ambivalent non-European characters and investigates each non-European character in the play is figured within a given geopolitical context that relates to ambivalence, an outcome of hybridity. Hybridity enables the colonized to absorb and mimic the norms of the dominant culture and may result in psychological forms of coercion by backbiting and by othering each other. Consequently, the colonized turn out to be a blend of intricate individualities in a hybrid formation, that enables the others to fight back by othering the settler

Art · Literature · Tempest · History · Irish and British Studies · Shakespeare, Adaptation, and Literary Criticism

  • Shakespeare's Caliban

    Jeffrey H Richards, Alden T Vaughan et al.•The William and Mary Quarterly•1993

Citation velocityhistorical
Highly citedNo

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