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An Analysis of Shakespeare’s Hamlet Through Terry Eagleton’s Conception of Tragedy

Bibliographic Data

ID22153806
AuthorsKaninika Singh (English and Foreign Languages University, corresponding author)
Year2023
Volume8
Issue4
Pages207-213
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueInternational Journal of English Literature and Social Sciences (JOURNAL)
Journal identifiersISSN: 2456-7620 • E-ISSN: 2456-7620
PublisherAI Publications (PUBLISHER)
DOI10.22161/ijels.84.34
OpenAlexW4386106604
LanguageEN
References cited3

This paper offers a comprehensive analysis of William Shakespeare's Hamlet, employing Terry Eagleton's conception of tragedy from his book Sweet Violence. It examines how the play achieves excellence through wisdom, intellectual depth, and emotional maturity, exposing the sublimity of human effort in creating an enduring experience for the audience. The paper delves into the elements of sacrifice, the dilemma of the tragic hero, and the concept of tragedy as a genre with emotional impact, showcasing the influential nature of the play. Furthermore, it explores the intertwining of external accidents with the hero's struggles and the balance of universality and particularity in evoking sympathy and engagement within the audience. Additionally, it discusses Eagleton’s notion of tragedy as a means to offer political hope and belief in justice and redemption, even in the darkest of times. The analysis examines Hamlet's fit in both traditionalist and democratic perspectives and finally delves into the Greek concept of the pharmakos, highlighting why Hamlet's suffering leads to emotional cleansing or katharsis for the audience

Aesthetics · Art · Dilemma · Epistemology · Greek tragedy · HERO · Literature · Political science · Politics · Psychoanalysis · Sociology · Law · Leadership, Courage, and Heroism Studies · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies

  • Universal versus Particular

    Eric P Levy•Exemplaria•2002

  • The origin of German tragic drama

    Walter Benjamin•The origin of German tragic drama•2003

  • The Function of the Tragic Greek Chorus

    Albert B Weiner, Albert Weiner•Theatre Journal•1980

Highly citedNo

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