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Reinventing the Genesis of Creation in a Posthuman World

Bibliographic Data

ID22154190
AuthorsSifatun Noor (corresponding author)
Year2023
Volume8
Issue4
Pages278-281
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueInternational Journal of English Literature and Social Sciences (JOURNAL)
Journal identifiersISSN: 2456-7620 • E-ISSN: 2456-7620
PublisherAI Publications (PUBLISHER)
DOI10.22161/ijels.84.45
OpenAlexW4386393897
LanguageEN
References cited1

The aim of this study is to discuss and examine the film Her, in relation to the story of Genesis. This will allow us to study the concept of humans from the inception to the contemporary world and address how women as the ‘other’ have always been excluded from that category. The emergence of AI, machines, or cyborgs as the new social entities in the context of posthumanism, as portrayed in the film manages to widen the border of the exclusive category of ‘human’ and helps women to build a place for themselves within it. In addition, the relationship between Theodore and Samantha contradicts the typical relationship of the male-dominated world and finds similarities with the story of Adam and Eve and their creation. The study uses the film, Her, to develop the argument that the posthuman approach is an ideal path to stretch the borders of the category of ‘humans’ and make it more inclusive

Aesthetics · Art · Epistemology · Posthuman · Posthumanism · Sociology · Computer Science · History · Neuroethics, Human Enhancement, Biomedical Innovations · Philosophy · Religious Studies and Spiritual Practices · Utopian, Dystopian, and Speculative Fiction

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Highly citedNo

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