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Theorizing the Discrepancy between the Verse and the Visual in William Blake’s “The Tyger”

Bibliographic Data

ID22154874
AuthorsSoumya Jain (0000-0002-8134-1477, University of Delhi, corresponding author)
Year2021
Volume6
Issue5
Pages068-071
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueInternational Journal of English Literature and Social Sciences (JOURNAL)
Journal identifiersISSN: 2456-7620 • E-ISSN: 2456-7620
PublisherAI Publications (PUBLISHER)
DOI10.22161/ijels.65.11
OpenAlexW3204675869
LanguageEN

In this paper I have presented my arguments and views on the dissonance between the verse and the accompanying illustration by Blake in "The Tyger". This discrepancy which I call a "deliberate dissonance" has been discussed deeply in this paper with my interpretations along with the discussion of views of many august critics of Blake. I also present an argument called "the creation in front of the creator" which is my personal reading pointing towards the image being perhaps an incomplete one as "a deliberate error" by Blake to intensify the mysticism in his work. Hence, we will witness throughout this paper how "The Tyger" can be read and seen in various symbolistic ways as one of the masterpieces in British Romantic Literature

Art · Literature · History · Literature, Language, and Rhetoric Studies · Moravian Church and William Blake · Philosophy · Psychology

Highly citedNo
Open DOIOpen Access
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