Stitches Across Time
Tracing the Chamba Rumal’s Journey to Scotland
Bibliographic Data
| ID | 22155153 |
|---|---|
| Authors | Jyoti (0000-0003-4099-5965, corresponding author), Jyoti Jyoti (0009-0000-9761-0259, corresponding author) |
| Year | 2024 |
| Volume | 8 |
| Issue | 2 |
| Publication date | 2024-10-10 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Chitrolekha Journal on Art and Design (JOURNAL) |
| Journal identifiers | ISSN: 2456-978X • E-ISSN: 2456-978X |
| Publisher | Aesthetics Media Services (PUBLISHER) |
| DOI | 10.21659/cjad.82.v8n206 |
| OpenAlex | W4403736552 |
| Language | EN |
The paper aims to document the century-long journey of a Chamba Rumal, an exquisite example of Indian embroidery, from the princely hill state of Chamba in Himachal Pradesh to Scotland. The Chamba Rumal was created by the Rani of Chamba in July 1898 for Jessie Ann Tuly, the governess of children. This embroidered artefact portrays Lord Krishna’s Ras Leela with Radha and Gopis and is emblematic of Chamba’s fabric artistry, which was inspired by miniature painting during the 17th and 18th centuries. The paper also investigates the history of the craft and its evolution with the patronage of local rulers such as Raja Umed Singh and King Sham Singh, who contributed to the development of Chamba’s murals. Furthermore, the paper analyzes the transfer history of this specific Rumal, currently preserved at the Glasgow Museums Resource Centre, and examines how this textile art contributed to nurturing relations. The paper emphasizes the significance of such artefacts in defining cultural memory and heritage. It shows how these objects chronicle the integrated histories of societies, their art, and the dynamics of reciprocal interactions across continents and centuries
Genealogy · Programming language · Tracing · Computer Science · History · Public Spaces through Art
| Citation velocity | historical |
|---|---|
| Highly cited | No |