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“Forebodings about fascism”

Marion Milner and Virginia Woolf

Bibliographic Data

ID22157202
AuthorsHelen Tyson (0000-0002-0019-7291, University of Sussex, corresponding author)
Year2021
Volume4
Issue1
Pages1-21
Publication date2021-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFeminist Modernist Studies (JOURNAL)
Journal identifiersISSN: 2469-2921 • E-ISSN: 2469-293X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/24692921.2020.1848334
OpenAlexW3112032802
LanguageEN
Citations received4
References cited18

In A Life of One’s Own (1934) Marion Milner asked the apparently simple question: “What do I like?” By 1937, however, when Milner published An Experiment in Leisure, the question “What do I like?”, and the urgency of answering it, had shifted. Writing against the backdrop of a rising current of fascism across Europe, there was a new urgency for Milner, in 1937, in understanding the apparent ease with which, not only Hollywood movie-makers, but now also European dictators might manipulate individual desires. Focusing on portraits of reading from Virginia Woolf’s 1937 novel, The Years, alongside Milner’s 1937 An Experiment in Leisure, this article explores Woolf’s and Milner’s shared—and deeply anxious—fascination with what Milner described, in her 1950 book On Not Being Able to Paint, as the “Monsters within and without.” This article tracks Woolf’s and Milner’s encounters with the internal and external “monsters” haunting 1930s Europe, showing how, for both writers, the historical vicissitudes of fascism traversed the terrains of psychic, cultural, and political life. Both Woolf and Milner, I argue, were engaged in an endeavor to understand the entanglement of the psychic, social and political forces at work in our everyday acts of leisure and reading

Aesthetics · Art · Epistemology · Everyday life · Literature · Political science · Politics · Psychic · Psychoanalysis · Sociology · Cinema and Media Studies · History · Law · Modernist Literature and Criticism · Philosophy · Psychology · Samuel Beckett and Modernism

  • A method of her own

    Open Access•Julie Walsh•Textual Practice•2024

  • ‘A problem to be faced about history’

    Open Access•Akshi Singh•Critical Quarterly•2021

  • ‘Action […] real and effective’

    Open Access•Helen Tyson•Critical Quarterly•2021

  • On not being able to” speak Italian

    Open Access•Paula M Salvio•Psychoanalysis Culture & Society•2023

  • The Origins of Totalitarianism

    Open Access•Hannah Arendt•On Violence•2007

  • Writing and rights

    Open Access•Rachel Potter, Lyndsey Stonebridge•Critical Quarterly•2014

  • An Experiment in Leisure

    Marion Milner•Experiment in Leisure•2011

  • Catching butterflies”

    Open Access•Helen Tyson•Literature Compass•2020

  • Obliterature

    Melanie Micir, Aarthi Vadde•Modernism/modernity•2018

Unique citing works4
Citations per year0,8
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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