Beyond the Canvas
Art, Representation, and the Portrayal of Black American Soldiers
Bibliographic Data
| ID | 22158111 |
|---|---|
| Authors | Khadija Boyd (0000-0003-0290-9317, corresponding author) |
| Year | 2024 |
| Volume | 10 |
| Issue | 3 |
| Pages | 52-56 |
| Publication date | 2024-10-22 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Veterans Studies (JOURNAL) |
| Journal identifiers | ISSN: 2470-4768 • E-ISSN: 2470-4768 |
| Publisher | Virginia Tech Libraries (PUBLISHER) |
| DOI | 10.21061/jvs.v10i3.622 |
| OpenAlex | W4403647199 |
| Language | EN |
America has a history of challenging the idea of who is capable of military heroism and challenging the selfless service of non-white service members. The ideology of whiteness has created exclusive boundaries around what it means to be American, an American hero, and a patriot by excluding minority groups. In 1992, the U.S. Army established an artist-in-residence position, which designated one active-duty artist to the U.S. Army Center of Military History. The artists’ mission during their tenure is to document the contemporary Army. MSG Peter G. Varisano created several watercolor portraits that disrupted the idea that Black service members had a small presence in American warfighting. The featured artwork of MSG Varisano was intentional in centering Black service members and captures the essence of heroism and selfless service inherent to military service regardless of race
Aesthetics · Art · Art history · Performance art · Political science · Politics · Visual art of the United States · Visual arts · Military History and Strategy
| Highly cited | No |
|---|