Making Whiteness
Art, Luxury, and Race in Eighteenth-Century France
Bibliographic Data
| ID | 22158346 |
|---|---|
| Authors | Marika Takanishi Knowles (corresponding author) |
| Year | 2022 |
| Issue | 13 |
| Publication date | 2022-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal18 (JOURNAL) |
| Journal identifiers | ISSN: 2470-5683 • E-ISSN: 2470-5683 |
| Publisher | Journal18 (PUBLISHER) |
| DOI | 10.30610/13.2022.1 |
| OpenAlex | W4285263506 |
| Language | EN |
Marika Takanishi Knowles Josiah Wedgwood’s anti-slavery medallion, “Am I Not a Man and a Brother?” (1787), is widely known as an example of the fraught representation of enslaved persons during the eighteenth century
Aesthetics · Art · Art history · Sociology · Visual arts · Gender Studies · Historical Art and Culture Studies
| Highly cited | No |
|---|