Transmission of Archaic Greek Sympotic Songs
From Lesbos to Alexandria
Bibliographic Data
| ID | 2215966 |
|---|---|
| Authors | Gregory Nagy (0009-0004-7675-9133, corresponding author), Nagy, Nagy Nagy (corresponding author) |
| Year | 2004 |
| Volume | 31 |
| Issue | 1 |
| Pages | 26-48 |
| Publication date | 2004-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/3651421 |
| OpenAlex | W3147933191 |
| Language | EN |
| Citations received | 24 |
| References cited | 40 |
Ancient Greek · Art · Feminism · Literature · Philology · Poetry · Sociology · Typeface · Visual arts · Byzantine Studies and History · Classical Antiquity Studies · Classics · Digital Humanities and Scholarship · Historical, Religious, and Philosophical Studies · History · Scientific Research and Philosophical Inquiry · Slime Mold and Myxomycetes Research
The Earliest Phases in the Reception of the Homeric Hymns
Festivals, Symposia, and the Performance of Greek Poetry
Eros (I)
Weeping
Eros (II)
The Delian Maidens and their relevance to choral mimesis in classical drama
Lyric and Greek Myth
Ancient Greek Elegy
Fusion
Tranquility
Concepts and Terms
Coda
Pindare chez Aristophane
Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos
Hesiod and the Ancient Biographical Traditions
Scale, space and canon in ancient literary culture
Poetry’s Politics in Archaic Greek Epic and Lyric
Memory and Forgetfulness in Alcaeus
A Sympotic Self
Genre in Archaic and Classical Greek Poetry
Imitate Anacreon
Frontiers of Pleasure
Ἕως ἂν κατέλθωσιν εἰς τὴν αὐτῶν
The making of Homeric verse
Who Sang Pindar’s Victory Odes?
The traffic in praise
Verbal art as performance
Tradition and originality in Roman poetry.
The Best of the Achaeans
How To Do Things With Words
The Poet's Voice
The language of heroes
Early Greek elegy, symposium and public festival
Oral-Formulaic Theory and Research. An Introduction and Annotated Bibliography
Boundaries of the Text
Genre and generation in the Odyssey
Unity and meaning in Pindars' sixth Pythian Ode
Greek mythology and poetics
I Generi Letterari E Le Loro Leggi Scritte E Non Scritte Nelle Letterature Classiche
The Classification of Greek Lyric Poetry
Persona reale o persona poetica? L'interpretazione dell''io' nella lirica greca arcaica
Copies and Models in Horace "Odes" 4.1 and 4.2
Who Sang Pindar's Victory Odes
Performing Pindar's Odes
Poetry and Its Public in Ancient Greece
Phrasikleia
First-Person Fictions
Oral literature in Africa
Gender and Genre in the Folklore of Middle India
From Archilochus to Pindar
The Poetic Dialect of Sappho and Alcaeus
Big Road Blues
Oral-Formulaic Theory and Research
Culture, Thought, and Social Action
Epic Singers and Oral Tradition
Oral Cultures Past and Present
Verbal Art as Performance1
| Unique citing works | 23 |
|---|---|
| Citations per year | 1,26 |
| Citation span | 2007 - 2023 (17) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 24 |