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How We Got into Analysis, and How to Get out

Bibliographic Data

ID2216627
AuthorsJoseph Kerman (corresponding author)
Year1980
Volume7
Issue2
Pages311-331
Publication date1980-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCritical Inquiry (JOURNAL)
Journal identifiersISSN: 0093-1896 • E-ISSN: 1539-7858
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/448101
OpenAlexW1999390970
LanguageEN
Citations received50

Diverse Musicological Studies · History · Musicology and Musical Analysis

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    Open Access•Giles Hooper•Music Analysis•2004

  • The Finale of Mahler's Seventh Symphony

    Martin Scherzinger•Music Analysis•1995

  • The Death of Musical Analysis? The Concept of Unity Revisited

    Open Access•Kevin Korsyn•Music Analysis•2004

  • Metaphors of Depth in German Musical Thought

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  • Micro and Macro Philosophy

    Thorsten Botz-Bornstein, Thorsten Botz–bornstein•Micro and Macro Philosophy•2021

  • Never out of Date and Never Modern

    Sarah Collins•Music and Letters•2014

  • Tovey’s Idealism

    Open Access•Craig Comen•Music and Letters•2019

  • Introduction to Special Issue

    Open Access•Olga Panteleeva, Ольга Викторовна Пантелеева et al.•Music and Politics•2020

  • The Growing Field of Musical Signification

    Open Access•Cristina González Rojo•Roczniki Humanistyczne•2024

  • On Subjectivity and Objectivity in the Semiotic Inquiry of Music

    Open Access•Juha Ojala•Roczniki Humanistyczne•2024

  • Interrogating the nuances of West African melodies

    Open Access•Joseph Kunnuji, Matildie Thom Wium et al.•Journal of Musical Arts in Africa•2023

  • ‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

    Open Access•Slawomira Zeranska-Kominek•Musicology Today•2022

  • Looking Towards the Future

    Open Access•Brian F Wright, AMY CODDINGTON et al.•twentieth-century music•2021

  • The Historiography of the Twentieth-Century Classical Performer

    Open Access•Adam Behan•twentieth-century music•2021

  • Analyser le DJ set

    Salomé Coq•Musurgia•2023

  • The Analyst's Dilemma

    Open Access•Alfred Patrick Addaquay•Music Analysis•2025

  • Against the New Musical Idealism; or, Listening for What May Be Otherwise

    Open Access•James Davis•Music Analysis•2026

  • Slišano, predstavljeno in razbrano - Razmislek o obsegu področja analize glasbenega stavka

    Open Access•Leon Stefanija•Musicological Annual•2002

  • In Defence of 'Structural Listening'

    Open Access•Christopher Norris•Musicological Annual•2005

  • A critique of the music school as a conservative system of music production

    Martina Viljoen•Muziki•2014

  • Register, Dialect, Convolution, and ‘Crosstalk’

    Mike Vaughan•Contemporary Music Review•2016

  • Mapping Musical Mobilities

    Open Access•Michael Holden, P Adey et al.•GeoHumanities•2024

  • Hearing Transcendence

    Open Access•Christopher I Lehrich•Signs and Society•2014

  • Issues at Stake beyond the ‘insuperable melancholy longing for the unity of interpretation with experience

    Linda Kouvaras•Musicology Australia•2004

  • Deconstruction, Musicology and Analysis

    Open Access•Christopher Norris•Thesis Eleven•1999

  • From Kerman to Merzbow

    Open Access•Jiří Kubíček•New Sound•2020

  • Musical Anti-Virtuosity in New Zealand’s Nature’s Best

    Nick Braae•Popular Music & Society•2016

  • A Form of Hope in Richard Strauss's Metamorphosen

    Open Access•EMILY X X TAN•Music Analysis•2021

  • Corpus Studies and ‘Close Listening’

    Open Access•Nancy J Martins•Music Analysis•2024

  • K eeping U p with the W ords

    Open Access•JOHN TURCI‐ESCOBAR, John Turci-Escobar•Music Analysis•2011

  • How critical is music theory

    Christine Lucia•Critical Arts•2007

  • Should Ethnomusicology Be Abolished? (Reprise)

    Henry Kingsbury•Ethnomusicology•1997

  • Perspektywy muzycznej semiotyki metalu - w stronę interpretacji muzematycznej

    Open Access•Andrzej Mądro•Przegląd Kulturoznawczy•2023

  • Toward a Post-Humanist Organicism

    Open Access•Holly Watkins•Nineteenth-Century Music Review•2017

  • How We Got Out of Analysis, and How to Get Back In Again

    Open Access•Kofi Agawu•Music Analysis•2004

  • Music and Knowledge

    Open Access•Per Dahl•Music and Knowledge•2017

  • "Adorno's "Schubert

    E Buch•19th-Century Music•2005

  • Sociological Factors in Musicological Poetics

    Henry Kingsbury•Ethnomusicology•1991

  • Evolutionary Categories and Musical Style from Adler to America

    Rachel Mundy•Journal of the American…•2014

  • A Score of Change

    Open Access•Phyllis Weliver•Literature Compass•2011

  • A mãe de Tarsila

    Open Access•Durval Cesetti, Nan Qi•Orfeu•2023

  • A Thousand Dissonances

    Sally Macarthur•Australian Feminist Studies•2009

  • Afterword

    Corine Schleif•The Senses and Society•2010

  • What is Musical Meaning? Theorizing Music as Performative Utterance

    Open Access•Andrew J Chung•Music Theory Online•2019

  • People's Instinctive Assumptions and the Paths of Narrative

    Open Access•Kyle Adams•Music Theory Online•2009

  • Schenker's Vienna

    Open Access•Kevin Korsyn•Music Analysis•2009

  • Formalising Star Clusters

    Open Access•Kelvin H F Lee•Music Analysis•2021

  • Performance, Grouping andSchenkerianAlternativeReadings inSomePassages fromBeethoven's'Lebewohl' Sonata

    Open Access•Alan Dodson•Music Analysis•2008

  • His name was Prince

    Open Access•Anne Danielsen•Popular Music•1997

  • Math and Music, Models and Metaphors

    José L Besada•Contemporary Music Review•2019

Unique citing works50
Citations per year1,43
Citation span1991 - 2026 (36)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 47

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