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New Temporalities in Music

Bibliographic Data

ID2216640
AuthorsJonathan D Kramer (corresponding author)
Year1981
Volume7
Issue3
Pages539-556
Publication date1981-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCritical Inquiry (JOURNAL)
Journal identifiersISSN: 0093-1896 • E-ISSN: 1539-7858
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/448114
OpenAlexW1997918286
LanguageEN
Citations received18

Aesthetics · Art · Art history · Silence · Temporalities · Theology · Visual arts · History · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy

  • A Intertextualidade e o Estranho Retorno Infinito

    Open Access•Gabriel Mesquita•Opus•2023

  • Temporality in Nineteenth-Century Russian Music and the Notion of Development

    B Taylor•Music and Letters•2013

  • Expressive Circles—original Concept Regarding the Structural and Dramaturgical Aspects of the Musical Composition in the Piece Expressive Circles—three Pieces for Piano Trio

    Open Access•Patryk Kusiak•Arts•2025

  • Considering Golden Section Proportionality in Popular Music

    Open Access•Dave Collins•IASPM Journal•2026

  • Time Models in Myth and Music of the 20th Century

    Open Access•David Kozel•Musicological Annual•2019

  • (Per)forming Open Form

    Open Access•Drake Andersen•Music Theory Online•2020

  • Accessible Narratives

    Richard Powell, Richard L Powell•Contemporary Music Review•2014

  • Quotation, Psychogeography, and the ‘Journey Form’ in the Music Theatre of Bernhard Lang and Chico Mello

    Lauren Redhead•Contemporary Music Review•2014

  • Structural, cognitive and semiotic aspects of the musical present

    Duncan Clarke, David Clarke•Contemporary Music Review•1989

  • Snapshots in Sound

    Mark Hutchinson•Contemporary Music Review•2010

  • Mathias Spahlinger's passage/paysage and ‘the Barbarity of Continuity’

    N T Smith•Contemporary Music Review•2015

  • For a Relational Musicology

    Open Access•G Born•Journal of the Royal Musical…•2010

  • Making Time

    G Born•New Literary History•2015

  • Strange yet Familiar Sounds in Zosha Di Castri’s String Quartet No. 1

    Open Access•Landon Morrison•Circuit Musiques contemporaines•2018

  • Authorship and Improvisation

    Valerie Pearson•Contemporary Music Review•2010

  • Music, Mediation Theories and Actor-Network Theory

    G Born, A Barry•Contemporary Music Review•2018

  • Rhythm and the Cold War Imaginary

    Christopher Lee•differences•2011

  • Postmodernism, narrativity, and the art of memory

    Jann Pasler•Contemporary Music Review•1993

Unique citing works18
Citations per year0,49
Citation span1989 - 2026 (38)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 17

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