The Classic Is the Baroque
On the Principle of Wölfflin's Art History
Bibliographic Data
| ID | 2216732 |
|---|---|
| Authors | Marshall Brown (0009-0002-1129-588X, corresponding author) |
| Year | 1982 |
| Volume | 9 |
| Issue | 2 |
| Pages | 379-404 |
| Publication date | 1982-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/448206 |
| OpenAlex | W1986420025 |
| Language | EN |
| Citations received | 11 |
Art · Art history · Baroque · German · Linguistics · Literature · Passions · Style (visual arts · Art, Politics, and Modernism · Fashion and Cultural Textiles · German Literature and Culture Studies · History · Philosophy
Primal world beliefs and art
Edgar Wind i oblicza sztuki nowoczesnej. Na marginesie książki Bena Thomasa
Shifting in the Ruins
Conceptions of Temporality
Baroque and Bildung in the Creative Practice and Personal Style of Karl Lagerfeld – Towards a Biographical Reinstatement of the Individual Designer
Becoming-Baroque
The Neobaroque in Djuna Barnes
Developing the Picture
The Political Project of Wölfflin's Early Formalism
Baroque out of Focus
Undisciplined Reading
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,52 |
| Citation span | 2005 - 2025 (21) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |