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“This is me”

Storytelling with students to reveal their mutual entanglements with the “kulturskole”

Bibliographic Data

ID22169080
AuthorsMali Hauen (0009-0006-3811-4689, University of Agder), Muhamed Sessay (Arts Council Norway), Neven Marcetic (Arts Council Norway), Hein Økseter Knudsen (Arts Council Norway), Morten Støholen (Arts Council Norway), Gunhild Nyaas (Arts Council Norway)
Year2024
Volume7
Issue1
Publication date2024-09-01
Open AccessYes
TypeARTICLE
VenueJournal of Embodied Research (JOURNAL)
Journal identifiersISSN: 2513-8421 • E-ISSN: 2513-8421
PublisherOpen Library of the Humanities (PUBLISHER)
DOI10.16995/jer.11511
OpenAlexW4401494411
LanguageEN
References cited10

This video article illuminates what stories can be told about kulturskolen — Municipal Music and Performing Arts Schools in Norway — when pupils are the storytellers. The method is based in collaborative, long-term, performative work with a group of students in a particular kulturskole. These students Were asked to consider the question: “What does the phenomenon of the kulturskole do to us?” The primary researcher (Hauen) met with the students once per week for five months and produced videos, recordings, and notes in response to this question. Afterwards, she edited and cut the data in order to analyze the process, drawing on the work of Karen Barad and post-qualitative thinking. This resulted in three important findings, according to the students: togetherness, self- expression, and “perfor-managing.” In the video article, the students tell stories about how they develop these three elements, in the kulturskole and in the world. They ask how the kulturskole phenomenon is relevant to their everyday lives and how it helps them “to find peace and the right way,” as one of them raps in the article. In order to provide additional insight into the methodology of entanglement between researcher and participants (the students and their teacher), a concluding discussion follows the main video

Artistic and Creative Research · Computer Science · Diverse Music Education Insights · Posthumanist Ethics and Activism

  • Troubling time/s and ecologies of nothingness

    K Barad•New Formations•2017

  • A diffractive and Deleuzian approach to analysing interview data

    Open Access•Hillevi Lenz Taguchi•Feminist Theory•2012

  • A performative paradigm for post-qualitative inquiry

    Open Access•Tone Pernille Østern, Sofia Jusslin et al.•Qualitative Research•2023

Highly citedNo

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