Cultural Appropriation and Capitalism
Co-opting Blaxploitation in the Filmic Live and Let Die
Bibliographic Data
| ID | 22169129 |
|---|---|
| Authors | Camille S Alexander (0000-0001-6259-210X, corresponding author) |
| Year | 2020 |
| Volume | 3 |
| Issue | 1 |
| Publication date | 2020-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of James Bond Studies (JOURNAL) |
| Journal identifiers | ISSN: 2514-2178 • E-ISSN: 2514-2178 |
| Publisher | Fincham Press (PUBLISHER • GB) |
| DOI | 10.24877/jbs.55 |
| OpenAlex | W3022677347 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
The International Journal of James Bond Studies is an academic peer-reviewed journal dedicated to publishing interdisciplinary scholarship on all aspects of Ian Fleming’s James Bond franchise. The journal aims to develop contemporary critical readings of Ian Fleming’s James Bond across literary, filmic, and cultural history, and offers broader criticism of the popular appeal of Fleming’s creation and its relation to the spy genre. Volume 4, Issue 1Volume 3, Issue 1Volume 2, Issue 1 Volume 1, Issue 2 Volume 1, Issue 1
Appeal · Appropriation · Art · Art history · Capitalism · Criticism · Epistemology · Literary criticism · Literature · Media studies · Political science · Politics · Publishing · Scholarship · Sociology · Cultural Industries and Urban Development · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |