From Charcot to Charlot
Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema
Bibliographic Data
| ID | 2217545 |
|---|---|
| Authors | Rae Beth Gordon (corresponding author) |
| Year | 2001 |
| Volume | 27 |
| Issue | 3 |
| Pages | 515-549 |
| Publication date | 2001-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/449019 |
| OpenAlex | W2004755583 |
| Language | EN |
| Citations received | 15 |
Burlesque · Modernism · Spectacle · Decadence, Literature, and Society · Diversity and Impact of Dance · Historical Studies and Socio-cultural Analysis
The Feminization of Mental Disorders
Máquinas de histeria e hipervisibildad
Chronic Conditions
Like a butterfly under glass’
The World of the Neurology Ward
The automatic chance of the modern tramp
Chaplin and the body of modernity
So essentially human’
Motionmindedness
Fashion and the White Savage in the Parisian Music Hall
From facial expressions to bodily gestures
Recent Articles on French History
Putting on appearances
Norbert Elias’s motion pictures
The Cinema of Attractions Reloaded
| Unique citing works | 15 |
|---|---|
| Citations per year | 0,58 |
| Citation span | 2000 - 2021 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 15 |