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Documentary Film and the Modernist Avant-Garde

Bibliographic Data

ID2217549
AuthorsBill Nichols (0000-0002-4503-2423, corresponding author)
Year2001
Volume27
Issue4
Pages580-610
Publication date2001-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCritical Inquiry (JOURNAL)
Journal identifiersISSN: 0093-1896 • E-ISSN: 1539-7858
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/449023
OpenAlexW2160247243
LanguageEN
Citations received25

Art · Art history · Literature · Movie theater · Narrative · Romance · Storytelling · Visual arts · Artistic and Creative Research · Cinema and Media Studies · History · Visual Culture and Art Theory

  • The March of Time in Britain and the International History of Documentary Film

    Ramírez Ramírez•Film History•2020

  • Whose disaster is this? Petroextractivism, visual sovereignty, and the documentary representations in Assam’s 2020 Baghjan oil blowout

    Anusuya A Paul•Studies in Documentary Film•2026

  • The paradoxes of precarious labour in observational documentaries today

    Mike Meneghetti•New Review of Film and Television…•2020

  • Prácticas feministas en el cine documental español contemporáneo. Reflexiones a partir del análisis de La casa de mi padre (Francina Verdés, 2014) y Mater Amatísima (María Ruido, 2018)

    Open Access•Laia Quílez Esteve, Núria Araüna•Arte individuo y sociedad•2020

  • Science and Documentary

    Open Access•Joshua Malitsky•Journal of Visual Culture•2012

  • ‘Beauty of Chance’

    Open Access•Oliver Gaycken•Journal of Visual Culture•2012

  • Forum

    Open Access•Sylvia Taschka, Steven Beller et al.•The German Quarterly•2017

  • Documentary — the evocation of a world

    Gideon Koppel•Journal of Media Practice•2007

  • Rethinking Marikana

    Open Access•Lesibana Rafapa•Journal of Literary Studies•2014

  • When the written and visual texts collide

    Hazel Tafadzwa Ngoshi•Scrutiny2•2012

  • Divine Horsemen de Maya Deren

    Open Access•Isabel Olivares•Memorias•2017

  • Prostitution, pee-ing, percussion, and possibilities

    Atreyee Sen, Neha Raheja Thakker•South Asian Popular Culture•2011

  • Vision in the realm of the senses

    Open Access•Roberta Mcgrath•Visual Communication•2003

  • The use of statistics to define taxonomies of film voices

    Open Access•Sergio Villanueva Baselga, Mario Pérez–Montoro et al.•Visual Communication•2019

  • Artistic Journalism

    Open Access•Stijn Postema, Mark Deuze•Journalism Studies•2020

  • Las series documentales de Netflix en España. Un desafío a las normas clásicas de la serialidad

    Open Access•Adrià Naranjo, Ignacio Nevado et al.•Estudios sobre el Mensaje…•2023

  • Arguments without words in Unser täglich Brot (Geyrhalter 2005)

    Helen Hughes•Continuum•2013

  • Visioning a queer documentary

    Fan-Ting Cheng•Continuum•2020

  • Accented Essays

    Elif Akçalı•Critical Arts•2019

  • Knowing Sports

    Joshua Malitsky•Journal of Sport History•2014

  • Objects of emancipation

    Hanna Musiol•2011

  • The Cinema of Attractions Reloaded

    Wanda Strauven•The cinema of attractions reloaded•2006

  • Across One Sixth of the World

    Oksana Sarkisova, Оксана Саркисова•October•2007

  • Audience Readings and Meaning Negotiation in the Film Viewing Space

    Open Access•Onotina Jeiva Elinwa•SAGE Open•2020

  • O Sorriso De Nanook E O Cinema Documental E Etnográfico De Robert Flaherty

    Open Access•Marco Antonio Gonçalves•Sociologia & Antropologia•2019

Unique citing works25
Citations per year1,09
Citation span2003 - 2026 (24)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 25

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