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Paint Pigment on Epigraphic Squeezes

A Case-Study from the Etruscological Collections of Olof August Danielsson

Bibliographic Data

ID22187276
AuthorsAnnie Burman (0000-0003-2876-729X, Uppsala University, corresponding author)
Year2023
Volume26
Issue1-2
Pages44-63
Publication date2023-11-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEtruscan and Italic Studies (JOURNAL)
Journal identifiersISSN: 2566-9095 • E-ISSN: 2566-9109
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/etst-2022-0017
OpenAlexW4323355826
LanguageEN
Citations received2
References cited19

The practice of wet squeezing as a means of creating epigraphic facsimiles was widespread during the 19th and 20th centuries, but often negatively impacted the original inscriptions, particularly in cases where paint pigment was present. Depending on the precise method used, the pigment may transfer from the original to the squeeze. This article presents a case-study of four such squeezes made by Swedish Etruscologist Olof August Danielsson in 1886 of a funerary tile from Chiusi, as part of the preparatory work for Corpus Inscriptionum Etruscarum. This material makes it possible to study epigraphic polychromy in cases where pigment on the original has been damaged through squeezing. In addition, it illustrates how squeezes can give insight into the history of individual objects, as the squeezes, which show both the carving and the paint, cast light on the various proposed readings of the tile’s Etruscan inscription (CIE 1973/ET Cl 1.1478)

Ancient history · Archaeology · Art · Carving · Tile · Visual arts · Building materials and conservation · Cultural Heritage Materials Analysis · History · Image Processing and 3D Reconstruction

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Unique citing works2
Citations per year0.67
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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Open DOIOpen Access
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