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Fleshing Out Memory

Roxane Gay’s Hunger as an Embodied Narrative of Self- Perception

Bibliographic Data

ID22195624
AuthorsRafseena M Rafseena M, M Rafseena (Kannur University), Ajit Kumar (0000-0002-4167-8489, Government of Haryana)
Year2023
Volume4
Issue2
Publication date2023-12-31
Open AccessYes
TypeARTICLE
VenueShodhKosh: Journal of Visual and Performing Arts (JOURNAL)
Journal identifiersISSN: 2582-7472 • E-ISSN: 2582-7472
PublisherGranthaalayah Publications and Printers (PUBLISHER • IN)
DOI10.29121/shodhkosh.v4.i2.2023.4827
OpenAlexW4409338082
LanguageEN
References cited2

Narratives of selfhood, encompassing diverse experiences, recount the multitude of unaddressed past event/s that have either shaped or ruptured the identity configuration of the subject in irreversible ways. Divided and marginalized based on gender identity and the societal distinction between the sexes, women -signaled as the second sex- have perennially found themselves positioned at the peripheries of socio-cultural representations. The situation exacerbates when addressing the aspects of differential treatment that women undergo due to multiple factors at work. The most prevalent form of modus operandi being that of perpetuating violence on women, women find themselves subjected to subjective and objective violence; the worst being the sexual or physical violence where their body is objectified. Body becomes a site of violence. The present paper titled “Fleshing Out Memory: Roxane Gay’s Hunger as an Embodied Narrative of Self- Perception” delves into the intricate exchange between body and memory as portrayed in Roxane Gay’s memoir Hunger. Challenging the heteronormative expectations, Gay enters into the discourse of recalling, remembering and recording her experiences, where her body becomes a repository of memories - both traumatic and empowering - and how these memories help shape her sense of self. Investigating how the author’s body functions as a vessel for memory, both individual and collective, and how the patriarchal gaze was destructive, this paper tries to locate how the author employs her memoir as a medium to challenge the societal expectations and promote a nuanced understanding of the interconnectedness of body, memory and self-acceptance to build a convenient space of her own in the patriarchal domain

Aesthetics · Art · Developmental psychology · Embodied cognition · Epistemology · Literature · Narrative · Perception · Psychoanalysis · Sociology · Asian American and Pacific Histories · Ecocriticism and Environmental Literature · Gender Studies · Media, Gender, and Advertising · Philosophy · Psychology · Social Psychology

  • Under Western Eyes

    Chandra Talpade Mohanty•boundary 2•1984

  • The Laugh of the Medusa

    Hélène Cixous, Keith Cohen et al.•Signs: Journal of Women in…•1976

Highly citedNo

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae