The Labyrinth as Symbol
A Structural Analysis of the Last Labyrinth as a Metaphor for Human Consciousness
Bibliographic Data
| ID | 22198200 |
|---|---|
| Authors | Rashmi Singh (0000-0002-5177-057X, College of Polytechnics Jihlava, corresponding author) |
| Year | 2024 |
| Volume | 5 |
| Issue | 1 |
| Publication date | 2024-01-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ShodhKosh: Journal of Visual and Performing Arts (JOURNAL) |
| Journal identifiers | ISSN: 2582-7472 • E-ISSN: 2582-7472 |
| Publisher | Granthaalayah Publications and Printers (PUBLISHER • IN) |
| DOI | 10.29121/shodhkosh.v5.i1.2024.4550 |
| OpenAlex | W4408677456 |
| Language | EN |
This paper analyses the labyrinth motif in Arun Joshi’s The Last Labyrinth (1981), interpreting it as a symbolic representation of human consciousness and the fragmented psyche of the protagonist, Som Bhaskar. The study talks about how little critical attention has been paid to the labyrinth as a structural metaphor. It says that the labyrinth represents Som's psychological imprisonment in his unfulfilled desires and existential doubts. Employing a cross-disciplinary approach, this analysis posits that Joshi’s labyrinth mirrors Samsara, symbolising the cyclical nature of desire and suffering. This reading underscores Joshi’s distinctive engagement with the labyrinth as both a narrative structure and a profound metaphor for the complexities of human consciousness and desire
Art · Consciousness · Epistemology · Linguistics · Literature · Metaphor · Communication · Jungian Analytical Psychology · Philosophy · Psychology
| Highly cited | No |
|---|