(PDF) Women in the Indian Performance Tradition
Bibliographic Data
| ID | 22201231 |
|---|---|
| Authors | Samyukta Journal (corresponding author) |
| Year | 2023 |
| Volume | 1 |
| Issue | 2 |
| Publication date | 2023-09-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Samyukta A Journal of Gender and Culture (JOURNAL) |
| Journal identifiers | ISSN: 2583-4347 • E-ISSN: 2583-4347 |
| Publisher | Women's Initiatives (PUBLISHER) |
| DOI | 10.53007/sjgc.2016.v1.i2.189 |
| OpenAlex | W4388225390 |
| Language | EN |
| References cited | 35 |
The Samyukta special issue on 'Women in Indian Performance' is a continuation of the research focusing on women in Asian performance which I started in 2013.. Being a performer and researcher on Kutiyattam from India, I am specifically interested in studying the contribution of women to Indian performance traditions and this special issue is the culmination of that ambition.The volume brings together eight essays and two interviews contributed by scholars from India, the United States and Italy.The contributions also cover a range of highly interesting topics, from the interview of Kalanidhi Narayanan about her initial years of training and career, to a critical review of Nirbhaya, a play on the Delhi gang rape written by Yael Farber in 2013.Essays and interviews this volume feature offers a radical reassessment of the place of women in Indian performances.What is the purpose of this special issue beyond the personal reasons listed above?Indian performance practice have been an active area of study among theatre scholars and practitioners all over the world for several decades, exerting substantial influence on the contemporary performance practices and actor-training methods.Nevertheless, critical debates and studies that aim at investigating and reassessing the role of women and their contribution to artistic practices in the Indian performance scene are relatively limited.Given the fact that Indian performances are broad and varied in number and style, such studies only marginally address the place and contribution of women in Indian performances.Critical work generating a more comprehensive view On women in Indian performances and mapping a broader territory in this relation is indeed necessary.Therefore, Samyukta special issue on 'Women in Indian performance is a novel attempt at initiating thoughts, generating scholarly work and critically reassessing the contribution of women in Indian performances.Complexities involved with assessing the place of women in Indian performances are manifold and I am attempting to simply map the territory
Diversity and Impact of Dance · History · Theater, Performance, and Music History · Theatre and Performance Studies
Visual Pleasure and Narrative Cinema
Discipline and Punish
Stigma
The Emergence of Feminism in India, 1850-1920
Behind the Veil
Covering
The Antitheatrical Prejudice
Gender Trouble
Present-Day Kutiyattam
The Nangyār
The Wondrous Crest-Jewel in Performance
Illicit worlds of Indian dance
Grounds for Play
Passions of the Tongue
Between Men
Politics and women in Bengal- the conditions and meaning of participation
Unesco on the Ground
Notes on Love in a Tamil Family
Sex, covert prestige and linguistic change in the urban British English of Norwich
The intersection of sex and social class in the course of linguistic change
Jokes and their Relation to the Unconscious 1905
Frame, flow and reflection
Gender impersonation onstage
Hedges and boosters in women's and men's speech
The Ramnagar Ramlila
Many Rāmāyaṇas
Actors, Pilgrims, Kings, and Gods
Vested Interests
Routes
From Ritual to Theatre
Gender and the Politics of Voice
Roadwork
Jokes, gender, and discursive distance on the Tamil popular stage
Animalizing India
| Citation velocity | historical |
|---|---|
| Highly cited | No |