On the Very Idea of a 'Specific' Medium
Michael Fried and Stanley Cavell on Painting and Photography as Arts
Bibliographic Data
| ID | 2220445 |
|---|---|
| Authors | Diarmuid Costello (corresponding author) |
| Year | 2008 |
| Volume | 34 |
| Issue | 2 |
| Pages | 274-312 |
| Publication date | 2008-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/529058 |
| OpenAlex | W2018747044 |
| Language | EN |
| Citations received | 11 |
| References cited | 2 |
Art · Art history · Modernism (music · Painting · Photography · The arts · Visual arts · Kierkegaardian Philosophy and Influence · Literature, Film, and Journalism Analysis · Visual Culture and Art Theory
Abstraction in Comics
Sonic congealment and sculptural entropy in Bruce Nauman’s Anthro/Socio
Photography and painting in multi-mediating pictures
Heidegger and Cavell on artistic medium in the post-medium condition
The aesthetic judgment “This is art” in Stanley Cavell and Thierry de Duve
Barthes for Barthes' Sake? Victorian Literature and Photography beyond Poststructuralism
Deadline Every Second
Fleabag, Modernism, and New Television
Feeling the unseen
Introduction
Bookwork as Demediation
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,65 |
| Citation span | 2009 - 2025 (17) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 10 |