Tata Bahasa Kasus dalam film Kena

Bridge of Spirit Berdasarkan Perspektif Charles J. Fillmore

Bibliographic Data

ID22213768
AuthorsNuratul Muntahana (0000-0002-3997-9098, Universitas Islam Negeri Maulana Malik Ibrahim, corresponding author), Abdul Muntaqim Al Anshory (0000-0002-8166-7506, Universitas Islam Negeri Maulana Malik Ibrahim, corresponding author)
Year2023
Volume6
Issue1
Pages95-112
Publication date2023-02-01
Open AccessYes
TypeARTICLE
VenueDIGLOSIA Jurnal Kajian Bahasa Sastra dan Pengajarannya (JOURNAL)
Journal identifiersISSN: 2615-725X • E-ISSN: 2615-8655
PublisherUniversitas Mulawarman (PUBLISHER)
DOI10.30872/diglosia.v6i1.572
OpenAlexW4322754001
LanguageEN
References cited4

This study aims to identify the modality and proposition in the movie "Kena: Bridge of Spirit" using Charles J. Fillmore's case grammar theory. This type of research is descriptive qualitative research. The object of this research is the movie "Kena: Bridge of Spirit" directed by Hunter Schmidt. The data collection techniques used are listening and note-taking methods. Data analysis in this study went through three stages: data reduction, data presentation, and conclusion drawing. The data validation techniques used are to increase persistence and triangulation. The results of the research on the movie "Kena: Bridge of Spirit" based on Fillmore's case grammar theory consists of four modalities (tense, negation, mode, and aspect) and ten propositions (agent, experience, place, instrument, time, objective, purpose, accompaniment, source, and benefactive)

Active listening · Art · Data collection · Data presentation · Grammar · Linguistics · Negation · Proposition · Social science · Sociology · Communication · English Language Learning and Teaching · Language Acquisition and Education · Linguistics and Language Analysis · Philosophy · Psychology

Tools

Open DOIOpen Access