Semiotika Nonverbal dalam Musik Video “Azza” Karya Rhoma Irama (Kajian Semiotika Roland Barthes)

Bibliographic Data

ID22213804
AuthorsAnindita Fikri Amalia (Diponegoro University, corresponding author), Nurdien Harry Kristanto (Diponegoro University, corresponding author), Sukarjo Waluyo (0000-0002-8771-326X, Diponegoro University, corresponding author)
Year2022
Volume5
Issue4
Pages731-748
Publication date2022-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDIGLOSIA Jurnal Kajian Bahasa Sastra dan Pengajarannya (JOURNAL)
Journal identifiersISSN: 2615-725X • E-ISSN: 2615-8655
PublisherUniversitas Mulawarman (PUBLISHER)
DOI10.30872/diglosia.v5i4.494
OpenAlexW4308564978
LanguageEN
Citations received3
References cited3

This study aims to describe non-verbal semiotics and its relation to Roland Barthes' semiotics, namely connotation and denotation. This research with the object of the study of the music video "Azza" by Rhoma Irama uses qualitative research methods to find non-verbal semiotics contained in the object of study. The results of this study, namely in the music video "Azza" by Rhoma Irama, there are seven body signs, namely (a) signals; (b) facial expressions; (c) eye contact; (d) body language; (e) touch; (f) cue; and (g) dance. It is also related to Roland Bathes' semiotics. Signs expressed in the music video have connotative and denotative meanings that the singer wants to convey through his music and videos. The connotative meaning in the music video "Azza", sung by Rhoma Irama, can be seen in the scenes glorifying God's power

Art · Connotation · Dance · Linguistics · Literature · Nonverbal communication · Semiotics · Communication · Communication Studies and Media · Computer Science · Cultural and Artistic Studies · Linguistics and Language Analysis · Philosophy · Psychology

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