Cross-cultural Study of Aesthetic Concepts and Philosophical Depth—Taking Makeup as an Example of Eastern and Western Aesthetics
Bibliographic Data
| ID | 22214290 |
|---|---|
| Authors | Jingxuan Wu (0009-0006-3268-5878, corresponding author) |
| Year | 2023 |
| Volume | 5 |
| Issue | 3 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Sociology and Ethnology (JOURNAL) |
| Journal identifiers | ISSN: 2616-2318 |
| Publisher | Clausius Scientific Press, Inc. (PUBLISHER) |
| DOI | 10.23977/jsoce.2023.050318 |
| OpenAlex | W4378085858 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
The innovative design of Chinese makeup is a reflection of the country's own cultural diversity. At the same time, because makeup must exist on the human body, makeup design has been combined with Chinese ethnic characteristics, embodying the unique facial features and Eastern aesthetics of the yellow race. This article reviewed the development history China’s Aesthetic concepts and using makeups as comparison analysis for Eastern and Western aesthetics. Understanding the context and history of diversity and inclusion of innovative makeup design and art development is strengthening the reflection of aesthetic and culture communication
Aesthetics · Archaeology · Art · China · Cultural diversity · Ethnic group · Sociology · Anthropology · Computer Science · Digital Media and Visual Art · Gender Studies · History
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |