The Transition of Image-Portrayal in the Disney Princess Series Responding to Historical Background and Feminism Process
Bibliographic Data
| ID | 22215969 |
|---|---|
| Authors | Yutong Gao (0000-0001-8593-5195, Xi'an Jiaotong University, corresponding author) |
| Year | 2024 |
| Volume | 7 |
| Issue | 3 |
| Publication date | 2024-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Academic Journal of Humanities & Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 2616-5783 |
| Publisher | Francis Academic Press Ltd (PUBLISHER) |
| DOI | 10.25236/ajhss.2024.070331 |
| OpenAlex | W4393870078 |
| Language | EN |
| References cited | 1 |
The Disney Princess Series, as the first animated movies produced in the United States, have gained a global reputation that continues till now. The success lies in not only the creation of full-length feature films, but also a long-standing collection of Disney Princesses and their distinctive stories. The theme in every story reflect common values of the society; meanwhile, the audience can explore the historical feminist background of different period. The Series is more like an encyclopaedia of female images couple with cultural evolution. The images changing with self-betterment and the plots added to more meanings of social development, the Disney Princesses have assumed the responsibility to won the public hearts and educate the masses
Aesthetics · Art · Feminism · Media studies · Sociology · Television series · Visual arts · Asian Culture and Media Studies · Computer Science · Gender Studies · Media, Gender, and Advertising · Social and Cultural Studies
| Highly cited | No |
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