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Bearable with Humor, Pain in Sherman Alexie’s The Business of Fancydancing

Stories and Poems

Bibliographic Data

ID22216949
AuthorsJassim M Jassim Al-Refi'I, Alaa Ahmed Abdullah (University of Tikrit)
Year2023
Volume3
Issue2
Publication date2023-09-04
Open AccessNo
TypeARTICLE
VenueJOURNAL OF LANGUAGE STUDIES (JOURNAL)
Journal identifiersISSN: 2616-6224 • E-ISSN: 2663-9033
PublisherTikrit University (PUBLISHER • IQ)
DOI10.25130/jls.3.2.8
OpenAlexW4388712944
LanguageEN
References cited4

For the time being Native Americans still doubt and question theirstatus amid the American nation. The consciousness of being marginaland subjugated appears clearly in their literature. Within the risingvoices that echo widely against repression and injustice, they have hadtheir voice, a voice that reflects historical agony, cultural deprivation,and political stings. Moreover, what distinguishes their voices is theamount of mutilation and loss that turns into humor and sarcasm. Thisvoice ceaselessly tries to bring back a fragmented identity from ashes.Sherman Alexie, a poet, novelist, short story writer, filmmaker,essayist, and comedian, is one of the best to adopt the role of fightingfor his people to reclaim their status. His people and their dignified andexcruciating survival inform much of his multi-genre works and unifyhis style. Frequently, the black humor technique pops up in his poems

Aesthetics · Art · Film director · Injustice · Irony · Literature · Movie theater · Poetry · Political science · Politics · Psychoanalysis · Sarcasm · American Literature and Humor Studies · History · Law · Psychology · Social Psychology

  • The Sacred Hoop

    Paula Gunn Allen•The Sacred Hoop•1987

  • Changes in the Land

    William Cronon•Changes in the Land•2003

  • The Sacred Hoop

    Melody Graulich, Paula Gunn Allen•Tulsa Studies in Women s Literature•1987

  • The Business of Fancydancing

    Sherman Alexie•The business of fancydancing•1992

Highly citedNo

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