The Quest for Independence in Henry James’s “The Portrait of a Lady” and Kate Chopin's “The Awakening”
Bibliographic Data
| ID | 22217176 |
|---|---|
| Authors | Layth Tawfeeq (University of Tikrit), Mohanad Jasim (University of Tikrit) |
| Year | 2026 |
| Volume | 10 |
| Issue | 2, Part 1 |
| Pages | 516-532 |
| Publication date | 2026-06-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | JOURNAL OF LANGUAGE STUDIES (JOURNAL) |
| Journal identifiers | ISSN: 2616-6224 • E-ISSN: 2663-9033 |
| Publisher | Tikrit University (PUBLISHER • IQ) |
| DOI | 10.25130/lang.10.2.p1.25 |
| OpenAlex | W7166664995 |
| Language | EN |
The research paper discusses and explores women seeking freedom in Henry James’s The Portrait of a Lady and Kate Chopin’s The Awakening shedding the light on both main characters Isabel Archer and Edna Pontellier. By using comparative analysis, this paper will examine how the writer depicts the struggle between personal needs and society expectations for females in the 19th century Victorian society. James portrays Isabel’s conflict and wrestling to seek her freedom from social roles, confronting the obstacles set by the institution of marriage and society. Edna on the other hand follows a different path through artistic and romantic desires, which ends with devastating assertion of autonomy facing the strangling duties of wife and mother. The paper highlights the distinct narrative trajectories and outcomes for both characters, explicating the psychological costs and societal boundaries confronting women striving for autonomy. By situating these masterpieces within extensive feminist discourse, the discussion emphasizes the enduring correlation of both works to debates of gender, identity and the fight for recognition
Assertion · Autonomy · Narrative · Portrait · Romance · Wife · Literary, Cultural, Historical Analysis · Multidisciplinary Warburg-centric Studies · Thomas Hardy Literature Studies
| Highly cited | No |
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