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Transnational Neo-Nollywood

Reviewing the Roundtable Event

Bibliographic Data

ID22222347
AuthorsKole Odutola (University of Florida), Oluyinka Esan (Caleb University)
Year2020
Volume2
Issue1
Publication date2020-06-30
Open AccessYes
TypeARTICLE
VenueCommunication Cultures in Africa (JOURNAL)
Journal identifiersISSN: 2631-5408 • E-ISSN: 2631-5408
PublisherWinchester University Press (PUBLISHER • GB)
DOI10.21039/cca.35
OpenAlexW3045507499
LanguageEN

It was early in the New Year, January 3, 2020, participants had convened in London to review the state of the Nollywood industry and the potentials of the enterprise. Could it be positioned in the UK as a commercially viable transnational cinema? The agenda was set to cover film production by Nigerians in the diaspora, and to identity challenges facing geographically displaced Nigerians in producing and distributing their movies. Participants were to consider and proffer solutions to challenges confronting Nigerian filmmakers, including structural hindrances in financing, (pre/post) production, distribution and exhibition of their productions. That the original idea was proposed by a Nollywood legend, Clarion Chukwura made it fascinating. The event, held at the University College London, was an occasion for dialogue between the professionals and academics

Art · Art history · CLARION · Diaspora · Exhibition · Film industry · Legend · Media studies · Movie theater · Nigerians · Political science · Sociology · Visual arts · African history and culture studies · African studies and sociopolitical issues · History · Law · Psychology · South Asian Cinema and Culture

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