Transnational Neo-Nollywood
Reviewing the Roundtable Event
Bibliographic Data
| ID | 22222347 |
|---|---|
| Authors | Kole Odutola (University of Florida), Oluyinka Esan (Caleb University) |
| Year | 2020 |
| Volume | 2 |
| Issue | 1 |
| Publication date | 2020-06-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Communication Cultures in Africa (JOURNAL) |
| Journal identifiers | ISSN: 2631-5408 • E-ISSN: 2631-5408 |
| Publisher | Winchester University Press (PUBLISHER • GB) |
| DOI | 10.21039/cca.35 |
| OpenAlex | W3045507499 |
| Language | EN |
It was early in the New Year, January 3, 2020, participants had convened in London to review the state of the Nollywood industry and the potentials of the enterprise. Could it be positioned in the UK as a commercially viable transnational cinema? The agenda was set to cover film production by Nigerians in the diaspora, and to identity challenges facing geographically displaced Nigerians in producing and distributing their movies. Participants were to consider and proffer solutions to challenges confronting Nigerian filmmakers, including structural hindrances in financing, (pre/post) production, distribution and exhibition of their productions. That the original idea was proposed by a Nollywood legend, Clarion Chukwura made it fascinating. The event, held at the University College London, was an occasion for dialogue between the professionals and academics
Art · Art history · CLARION · Diaspora · Exhibition · Film industry · Legend · Media studies · Movie theater · Nigerians · Political science · Sociology · Visual arts · African history and culture studies · African studies and sociopolitical issues · History · Law · Psychology · South Asian Cinema and Culture
| Highly cited | No |
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