Pakistani Female Pop Icons and the Tune of Feminist Activism in “Na TutteyaVe” Song
Bibliographic Data
| ID | 22237802 |
|---|---|
| Authors | Sadia Qamar (Government College University, Faisalabad, corresponding author) |
| Year | 2021 |
| Volume | 5 |
| Issue | 1 |
| Pages | 1044-1057 |
| Publication date | 2021-03-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pakistan Social Sciences Review (JOURNAL) |
| Journal identifiers | ISSN: 2664-0422 • E-ISSN: 2664-0430 |
| Publisher | Fatima Gohar Educational and Welfare Society (PUBLISHER) |
| DOI | 10.35484/pssr.2021(5-i)79 |
| OpenAlex | W3167530052 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
The paper closely hears the season opener song for Coke Studio 2020: "Na Tutteya Ve", in order to critically appreciate and analyze it as a tune of feminist activism. Contextualizing the critical discussion of the song within the theoretic perspectives of "feminist cultural analysis" as given by The paper establishes the song"s timely arrival in furthering the Pakistani female consciousness as a feminist community vis--vis oppressive patriarchy and women"s secondary social status. The paper hears the song as a cultural specimen of Pakistani feminist music which, in its capacity as an artistic site, propounding the alternative female imaginary, broadcasts a call for revisiting the Pakistani female"s social situation, as well as questions the parallel male centric social centrality and supremacy
Art · Sociology · Gender Studies · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · South Asian Cinema and Culture
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |