Argos, un projet innovant d’observations de processus de création en Europe
Bibliographic Data
| ID | 22238794 |
|---|---|
| Authors | Maria João Brilhante (0000-0002-1654-0496), Brigitte Prost, Sophie Proust, Ana Clara Santos (0000-0003-4845-4741) |
| Year | 2020 |
| Volume | 2 |
| Pages | 294-333 |
| Publication date | 2020-05-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European journal of theatre and performance (JOURNAL) |
| Journal identifiers | ISSN: 2664-1860 • E-ISSN: 2664-1860 |
| Publisher | University of Groningen Press (PUBLISHER • NL) |
| DOI | 10.21827/ejtp.2.41784 |
| OpenAlex | W4414330247 |
| Language | FR |
The ARGOS research programme (Belgium, France, Greece, Italy, Portugal, Lebanon) is developing new experiments in the observation of creative processes, particularly through the original use of new technologies in the field of performing arts in Europe. Communities of viewers are formed: they bring together performing artists, teacher-researchers, students, cultural mediators and spectators. Immersive 360° observation, live streaming and a web-documentary open up new perspectives on creation. Transmedia narratives (articulating texts, videos, photographs, drawings, collages, sound recordings) offer new narrations. Thus, thanks in particular to five experiments followed by two research laboratories (workshops), the creativity of these new communities of viewers makes it possible to facilitate access to the discourse on creation and potentially renew training in the performing arts through nomadic universities. Moreover, these new modes of collaboration between artists and researchers open up new perspectives for society at large by allowing a look at the making of performances
Creativity · Emerging technologies · Narrative · Performing arts · The arts · Social Sciences and Governance
| Highly cited | No |
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