Feminist Worlding and World Cinema
The Case of Małgorzata Szumowska
Bibliographic Data
| ID | 22240145 |
|---|---|
| Authors | Aga Skrodzka (0000-0003-3990-9927, Clemson University, corresponding author) |
| Year | 2022 |
| Pages | 1-22 |
| Publication date | 2022-01-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studies in World Cinema (JOURNAL) |
| Journal identifiers | ISSN: 2665-9883 • E-ISSN: 2665-9891 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/26659891-bja10007 |
| OpenAlex | W4210679922 |
| Language | EN |
| References cited | 4 |
This article discusses the concept of worlding in the cinema of Małgorzata Szumowska. Informed by philosophical theory of worlding and worldliness, by thinkers such as Martin Heidegger, Hannah Arendt, and Gayatri Spivak, and the film theory of cinematic worlds, proposed by Daniel Yacavone, the project examines the function of cinematic world building and its potential connection to World Cinema and feminist filmmaking. Close analysis of Szumowska’s film The Other Lamb (2019) traces the role of monstration and mise en scène in creating emancipatory cinema
Aesthetics · Art · Art history · Feminism · Feminist theory · Film theory · Filmmaking · Movie theater · Sociology · Gender Studies · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies · Simone de Beauvoir and Sartre
| Highly cited | No |
|---|