The Political Imperative of World Cinema
Bibliographic Data
| ID | 22240149 |
|---|---|
| Authors | Meta Mazaj (0009-0003-5407-1760, University of Pennsylvania, corresponding author), Shekhar Deshpande (Arcadia University, corresponding author) |
| Year | 2020 |
| Volume | 1 |
| Issue | 1 |
| Pages | 39-46 |
| Publication date | 2020-10-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Studies in World Cinema (JOURNAL) |
| Journal identifiers | ISSN: 2665-9883 • E-ISSN: 2665-9891 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/26659891-0000a002 |
| OpenAlex | W3095800370 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This paper argues for the political urgency of the project of World Cinema, and an understanding of World Cinema as a dynamic totality. Totality here is not a generic, macroscopic lens, but a system that accounts for the co-existence of all cinemas as well as the uneven power relationships that determine the relative visibility or invisibility of cinemas in the global system. This structural inequity, a condition that underlies the differentiated cinematic flows, is also a methodological ruse in that it can only point to unequal relationships in discourses that define the current conceptions of World Cinema. An awareness of totality, we argue, makes it possible to return to films themselves as nodal points from which to begin the mapping of World Cinema through its complex networks of financing, distribution, and its circuits of legitimation (film festivals, academic discourses) which shape world cinema as a body of knowledge
Aesthetics · Art · Invisibility · Legitimation · Literature · Movie theater · Optics · Physics · Political science · Politics · Sociology · Cinema and Media Studies · Hong Kong and Taiwan Politics · Law · South Asian Cinema and Culture
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |