Visual semiotics in the structure of Kufic calligraphy
Bibliographic Data
| ID | 22246497 |
|---|---|
| Authors | Kaddour Abdallah Tani (0000-0003-3042-4843, Université Oran 1 Ahmed Ben Bella, corresponding author) |
| Year | 2021 |
| Volume | 3 |
| Issue | 2 |
| Pages | 110-116 |
| Publication date | 2021-12-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Visual and Performing Arts (JOURNAL) |
| Journal identifiers | ISSN: 2684-9259 • E-ISSN: 2684-9259 |
| Publisher | ASCEE Publications (PUBLISHER) |
| DOI | 10.31763/viperarts.v3i2.516 |
| OpenAlex | W4226011788 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
In the aesthetic study, semiotic interpretation is an intellectual approach to deciphering the hidden meaning of an aesthetic achievement's taste. The study's goals include comprehending the artwork's structure, which necessitates an in-depth interpretation of the language by translating it into official symbols. This research method uses a linear formation sample with semantic attributes attached to the Kufic calligraphy of artworks. The findings reveal that the emergence of geometric lines in a linear composition has a decorative abstraction that may be used to argue that the artist intended to place it there and that this is a symbol of the cosmos and its existence. This study adds to our understanding of compositional insight in Arabic calligraphy as an expressive aesthetic expression that alludes to the text in the sense of meaning that lies underneath the direct meaning
Abstraction · Aesthetics · Art · Calligraphy · Epistemology · Linguistics · Painting · Semiotics · Visual arts · Architecture and Cultural Influences · Computer Science · Digital Media and Visual Art · Philosophy · Semiotics and Cultural Interpretation
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |