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“[S]treite vnto my mirrour and my glas”

Disabled Ethos in Thomas Hoccleve’s “My Compleinte”

Bibliographic Data

ID22248779
AuthorsChristina V Cedillo (University of Houston - Clear Lake, corresponding author)
Year2024
Volume27
Issue1
Pages9-28
Publication date2024-03-18
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal for the History of Rhetoric (JOURNAL)
Journal identifiersISSN: 2687-8003 • E-ISSN: 2687-8011
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/jhistrhetoric.27.1.0009
OpenAlexW4399481850
LanguageEN
References cited27

Invoking James J. Murphy’s reminder that we can still learn from people of the past, this article examines Thomas Hoccleve’s 1420 poem “My Compleinte” as an example of medieval “disability rhetorics,” or how disabled people themselves speak about disability and being disabled. In this poem, Hoccleve adapts the genre of the speculum principis (mirror for princes), which guides readers toward moral action, to depict his past mental breakdown and subsequent social alienation in order to exhort his former friends to amend their attitudes toward him. While disability as a concept and an identity proves anachronistic in relation to the Middle Ages, Hoccleve’s poem presents a vital case study in ethos construction driven by disability, reflecting some of the same rhetorical concerns facing disabled rhetors today despite the passage of time

Aesthetics · Alienation · Anachronism · Art · Ethos · Literature · Poetry · Political science · Politics · Rhetoric · Rhetorical question · Sociology · Theology · Early Modern Women Writers · Law · Medieval Literature and History · Philosophy · Reformation and Early Modern Christianity

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Citation velocityhistorical
Highly citedNo

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