Discrepant Fidelity
Bibliographic Data
| ID | 22248794 |
|---|---|
| Authors | Carter Mathes (Rutgers Sexual and Reproductive Health and Rights, corresponding author) |
| Year | 2021 |
| Volume | 2 |
| Issue | 2 |
| Pages | 307-313 |
| Publication date | 2021-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Resonance The Journal of Sound and Culture (JOURNAL) |
| Journal identifiers | ISSN: 2688-867X • E-ISSN: 2688-867X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/res.2021.2.2.307 |
| OpenAlex | W3204767210 |
| Language | EN |
This response offers a critical engagement with and reflection on the work of photographer D. Michael Cheers, specifically his essay on sound and photography, “Listening for the Pictures: Capturing History in Real Time,” in conjunction with selections of his photographic work on protest and Black life
Active listening · Aesthetics · Art · Fidelity · Photography · Physics · Sociology · Visual arts · Communication · Computer Science · Engineering · Photography and Visual Culture
| Highly cited | No |
|---|