Of Green Tonalities and Radical Transcendence
Bibliographic Data
| ID | 22248986 |
|---|---|
| Authors | Carter Mathes (corresponding author) |
| Year | 2021 |
| Volume | 2 |
| Issue | 4 |
| Pages | 650-654 |
| Publication date | 2021-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Resonance The Journal of Sound and Culture (JOURNAL) |
| Journal identifiers | ISSN: 2688-867X • E-ISSN: 2688-867X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/res.2021.2.4.650 |
| OpenAlex | W4210464897 |
| Language | EN |
This commentary discusses DIS/UNITY, a series of sound-based performances created by the collective Propelled Animals, in conjunction with Laura Garbes’s critical reflections on Indigenous radio broadcasts as radical resistance to settler colonialism, as well as the author’s experiences with the sonic impact on a community environment destroyed through a failure of Black political leadership
Aesthetics · Art · Astronomy · Colonialism · Environmental ethics · Epistemology · Indigenous · Physics · Political science · Politics · Sociology · Diverse Musicological Studies · Law · Music History and Culture · Philosophy · Ecology
| Highly cited | No |
|---|