Academization of bandura by bandurism exponents in Ukraine

Bibliographic Data

ID22250341
AuthorsIryna Ya Zinkiv, Іryna Zinkiv (Lviv National Musical Academy named after Mykola Lysenko, corresponding author)
Year2021
Volume5
IssueS4
Pages269-288
Publication date2021-10-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLinguistics and Culture Review (JOURNAL)
Journal identifiersISSN: 2690-103X • E-ISSN: 2690-103X
PublisherScientific and Literature Open Access Publishing (PUBLISHER)
DOI10.21744/lingcure.v5ns4.1582
OpenAlexW3209831007
LanguageEN
References cited5

Ukrainian bandura underwent a long and difficult evolutionary path. Its academicization process took place in the XX-XXI centuries. The impact of prominent bandura craftsmen O. Korniievskyi, V. Tuzychenko, I. Skliar, and V. Herasymenko on the process of the Ukrainian bandura academization was studied. The authors devoted their work to historical assessment in the affirmation of the academized instruments of Chernihiv (or Kyiv-Chernihiv) and Kharkiv types. The specifics of the creation of the academized instrument in 1920–2010 by leading Ukrainian designers – bandura craftsmen became a purpose of the study. The abovementioned bandura craftsmen made a significant impact on the academization of diatonic banduras, their transformation into the instrument with a double-diatonic tuning system and bringing it closer to European trends. The particular roles of O. Korniievskyi, V. Tuzychenko, I. Skliar, and V. Herasymenko in this process were characterized. It was noted that the Kyiv method of play on an academic instrument is much more popular than Kharkiv-type which is why the latter needs additional attention

Linguistics · Ukrainian · Computer Science · Education and Social Development in Ukraine · Military, Security, and Education Studies · Philosophy · Psychology · Social Psychology · Ukrainian Cultural and Linguistic Studies

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