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Superwoman

A Breakthrough from Conventional Victorian Society in Shaw's "Man and Superman"

Bibliographic Data

ID22255002
AuthorsNaima Noreen (Foundation University), Nadia Noreen (0000-0002-1558-5086, Foundation University Islamabad), Sonia Gul (National University of Modern Languages), Aminah Ali (Air University)
Year2025
Volume10
Issue1
Pages137-142
Publication date2025-05-14
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGlobal Sociological Review (JOURNAL)
Journal identifiersISSN: 2708-2091 • E-ISSN: 2708-3586
PublisherHumanity Only - HO (PUBLISHER)
DOI10.31703/gsr.2025(x-i).14
OpenAlexW4413399524
LanguageEN

This research explores G.B. Shaw's play “Man and Superman” through Jacques Derrida's theoretical lens of Deconstruction and Eugenic feminism. Traditionally, in the novel, the protagonist Ann Whitefield is labeled as a liar, bully, hypocrite, and coquette, which led critics to view Shaw as antifeminist. However, this study argues that Shaw’s portrayal of Ann Whitefield reflects a subversive and progressive feminist vision that refuses and contradicts Victorian norms of ideal womanhood. Shaw dismantles gender binaries by presenting Ann not as a passive woman, but as a dominant, intellectually superior Figure a Superwoman. This study repositions Shaw as a pioneering feminist thinker who critiques patriarchal norms and envisions women as active architects of evolutionary and societal progress. This study concludes that Shaw dismantles traditional male-female binaries and highlights Ann's agency in emphasizing women's crucial roles in reproduction and social leadership, thus underscoring her transformative impact on both personal and societal evolution

Art · Art history · Psychoanalysis · Sociology · Superman · Literature Analysis and Criticism · Psychology

Citation velocityhistorical
Highly citedNo

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