Superwoman
A Breakthrough from Conventional Victorian Society in Shaw's "Man and Superman"
Bibliographic Data
| ID | 22255002 |
|---|---|
| Authors | Naima Noreen (Foundation University), Nadia Noreen (0000-0002-1558-5086, Foundation University Islamabad), Sonia Gul (National University of Modern Languages), Aminah Ali (Air University) |
| Year | 2025 |
| Volume | 10 |
| Issue | 1 |
| Pages | 137-142 |
| Publication date | 2025-05-14 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Global Sociological Review (JOURNAL) |
| Journal identifiers | ISSN: 2708-2091 • E-ISSN: 2708-3586 |
| Publisher | Humanity Only - HO (PUBLISHER) |
| DOI | 10.31703/gsr.2025(x-i).14 |
| OpenAlex | W4413399524 |
| Language | EN |
This research explores G.B. Shaw's play “Man and Superman” through Jacques Derrida's theoretical lens of Deconstruction and Eugenic feminism. Traditionally, in the novel, the protagonist Ann Whitefield is labeled as a liar, bully, hypocrite, and coquette, which led critics to view Shaw as antifeminist. However, this study argues that Shaw’s portrayal of Ann Whitefield reflects a subversive and progressive feminist vision that refuses and contradicts Victorian norms of ideal womanhood. Shaw dismantles gender binaries by presenting Ann not as a passive woman, but as a dominant, intellectually superior Figure a Superwoman. This study repositions Shaw as a pioneering feminist thinker who critiques patriarchal norms and envisions women as active architects of evolutionary and societal progress. This study concludes that Shaw dismantles traditional male-female binaries and highlights Ann's agency in emphasizing women's crucial roles in reproduction and social leadership, thus underscoring her transformative impact on both personal and societal evolution
Art · Art history · Psychoanalysis · Sociology · Superman · Literature Analysis and Criticism · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |